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Updated: Friday, 19 Feb 2010, 11:13 AM EST
Published : Friday, 19 Feb 2010, 11:13 AM EST
(FOX Providence) - From runway to real way, it's fashion week in New York! While we may be thinking spring, it's time for fall on the runways!
Local mom blogger, Audrey McClelland was at several of the show and joined The Rhode Show to with a look at the trends for fall 2010.
Layering was a key trend at New York Fashion Week as it
continued its sixth day of fall previews Tuesday, with a mix of
fabrics that created a textured look. A few designers like Peter
Som and Alexander Wang showed models who looked like they'd thrown
on everything in the closet all at once.
Another trend was the contrasting sleeve, using a different
material than the rest of the outfit, a look featured at Chris Benz
and Derek Lam, among other shows.
For all that layering, you need a tissue-thin, long-sleeve
T-shirt to go underneath it all. And a coat that's a little roomier
for all those layers.
RODARTE
The bittersweet drama that played out on the Rodarte runway
reminded fashion insiders why Kate and Laura Mulleavy have become
such a big deal in such a short time.
The theme of their collection was the hazy state of
consciousness that comes between sleep and being awake. Lovely,
lace-draped dresses in a light, almost dusty palette captured the
feeling of vintage lingerie and wallpaper prints, but there was
something weighing on them, too - a seriousness, a respect.
The chunky knits, sometimes with yarn fringe, were just on the
right side of looking well loved and worn in, yet luxurious in a
way that a designer collection demands.
The layers that have been so popular at New York Fashion Week
were certainly on this catwalk in a Chelsea artist space, but the
Mulleavys had a lighter touch because of their airy fabrics and
loose-weave knits.
"The draped dresses in gauze and lace were spectacular," said Ikram Goldman, the Chicago retailer who advises first lady Michelle Obama on her wardrobe. "The way they were manipulated and draped to perfection on the body. ... They were beautiful. They were perfect."
VERA WANG
Black - at least the way Vera Wang does it - can be light.
Wang debuted her fall collection for the editors, stylists
and retailers who have gotten quite used to seeing black over the
past few days, but made them seem new.
The show's title was "The Bride Wore Black," but Wang said in
her notes she was drawn to the color (or non-color, as it may be)
because it's "a contemporary metaphor for youth, romance and
sophistication ringed ever so slightly with a sense of mystery."
She opened with a menswear-style black jacket, turned
feminine with oversized organza corsages on the lapel. That set the
tone for the yin-and-yang vibe of most of the outfits: a
featherweight faille bolero with rosettes was paired with a
wool-knit jumpsuit with a tuxedo stripe down the side, for example,
and a tightly tailored Nehru jacket had sexy sheer sleeves.
THE ROW
Without the paparazzi in sight - and just a few fashion
photographers perched at the end of a black wooden runway -
Mary-Kate and Ashley Olsen presented their collection The Row to a
small group of fashion insiders.
The small show, held far away from the Bryant Park tents,
seemed an indication they wanted the headlines to be about the
clothes, a strategy employed by fellow camera-magnet Victoria
Beckham earlier this week. The Olsens appeared only briefly at the
end to take a very quick bow in front of Carey Mulligan, Chloe
Sevigny, Vogue Editor-in-Chief Anna Wintour and her French Vogue
counterpart, Carine Roitfeld.
The clothes were indeed quite serious - and sophisticated.
The first model wore a simple black wrap coat that was belted and
black trousers with flat gladiator sandals. Most of the collection
was black, which has been the norm on many catwalks at New York
Fashion Week.
Adding textural interest, though, has been a trick to making all the black more interesting - and the Olsens mastered it. An A-line carriage skirt in a croc pattern was worn with a slim shirt and a delicate spaghetti-strap camisole on top. Another look featured a buttery leather corset over a flowing, asymmetrical-hem dress.
HALSTON
The shoes to fill were big and expectations high, but
Halston's creative director Marios Schwab said he tried not to
think about that pressure on his debut collection for the storied
label.
He can now breathe a sigh of relief: He presented a warmly
received series of dresses - and a handful of other silhouettes -
Monday night. Sarah Jessica Parker, who will be designing a
contemporary label called Halston Heritage, turned out to see what
her new colleague had done.
Two of the most attention-worthy were done in the spirit of
the house's founder, the late Roy Halston Frowick. One was a slinky
red jersey with cutouts around the bustline, and the other was a
super-sexy yellow halter top with open sides and back.
But there was more than the liquidlike jersey looks that made Halston a powerhouse in the 1970s and '80s among the high-fashion crowd at Studio 54. For the woman who wears Halston in 2010, Schwab added fabrics such as neoprene, leather, cashmere and even a metallic cracked lame, used on an asymmetrical cropped jacket.
CHRIS BENZ
It seems Chris Benz drank the Kool-Aid that's been served at
New York Fashion Week, tapping into the rebel-schoolgirl look with
outfits built around classic plaids, sometimes walking-short
versions, and then shaking it up with bra tops and metallic biker
jackets.
But Benz also spiked it with something a little extra: an
adventurous attitude.
The models at his presentation Monday in an artist space wore
acid-yellow and bright-purple fur mittens and trapper hats, too. A
liquidlike metallic top with sweatpants pooling around the ankles
and a fur vest with oversized hood, a poncho with a lame sheen and
a cozy swirl-knit minidress probably would all make their way into
the suitcase when Benz's young hipster customer goes away to the
"country" for the weekend.
MARC BY MARC JACOBS
Pull down those hemlines, girls.
For his younger, less expensive diffusion line, Marc Jacobs
eschewed the bubbliness of past collections to deliver a ladylike
silhouette and proper gentlemen's suiting.
It was the designer's second show of the week to mark a
dramatic about-face, as his namesake line shown Monday also dropped
hems and buttoned up. Perhaps with the Great Recession moving on,
Jacobs was echoing the historical change in attitudes and fashion
that followed the Great Depression.
The designer, arguably the most influential in the country, took a page from the 1940s for Marc by Marc Jacobs. A palette of red, black and olive echoed military themes as models marched along sternly in knit separates and jackets. Tops featured ballooned sleeves and collar ties of secretaries past, and culottes ensembles were paired with flat leather wingtips.
BEBE
Reality show stars Kim, Kourtney and Khloe Kardashian can now
sell the clothes right off their backs to their fans.
The brunette sisters collaborated with fast-fashion chain
bebe to offer a line inspired by pieces from the girls' closets, a
collection shown Tuesday during New York Fashion Week to another
face made famous by reality TV: "Jersey Shore" diva Jenni "JWoww"
Farley.
The line, which is available this month in bebe stores,
consisted of basic jerseys, fitted blazers and leather separates
devoid of embellishment or the company's signature rhinestone
branding. Kim Kardashian posed for cameras in one of the looks - a
gray stretch mini dress under a cropped leather corset - that
emphasized the assets for which she is known.
The tight and short silhouette was reiterated throughout,
including spandex one-shoulder dresses with side cutouts and a
stretch jersey-and-mesh tube dress so short that the model had to
adjust the length mid-catwalk.
Check out the attached clip for more!